Hibernian House, 342 Elizabeth St, Sydney, New South Wales 2010, Australia
Kink educator, relationship coach & PROFESSIONAL DOM.
Making space for creativity, joy and connection in relationships
Life is better lived adventurously, with community and in relationships with our whole selves.
Gatsby Lim
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What is a session like?
I am a Cambodian Australian rope artist and professional dom based in Sydney, Australia and travel frequently in Asia. Since 2003 I’ve been learning and practicing my own flavor of Kinbaku. I enjoy it’s power to elevate intimacy and play into an art form that invites us to be so present with each other.
Perhaps it’s because I’m the son of a khmer shaman that I seek to find meaning in all the things I do, and through those actions connect to the ineffable. For me Kinbaku is horny, mindful practice that is almost spiritual and sometimes we cum.
In the practice of Shibari, the ropes tie and restrict us together in breath, blood flow and psychological energetic spaces. In this intimate, connected space it’s not surprising that big emotions,
feelings and trauma can emerge for both of us. Certain rope work, breathing patterns and so much touch can powerfully move things inside and between us.
Each session is different. Wether it’s light hearted and full of laughter, horny and noisy or a quiet space with pain, discomfort and challenge I like to think of all of this as salve.
Medicine for the soul, and sometimes our holes. Lol
I enjoy ground based rigging and manipulations and often tie bunnies to weighted fixed points like a kettle bell and sometimes to myself to create transitions and hands on to change positions. My rope is less interested in sadism and more in objectification and penetrative play dynamics. Though CBT and unsatisfied edging is one of my love languages.
There are many other things I enjoy, but that’s for me to whisper into your ear at some stage…
Aftercare is always how I end a session. A personal fusion of Thai and Lomi lomi massage with manipulations I learned dancing Japanese Butoh.
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